Working at the intersections of technology, political engagement and creative practice, Forensic Architecture (FA) has emerged in recent years as an icon of new possibilities for visualising and prosecuting environmental crimes. Nabil Ahmed and Imani Jacqueline Brown, decolonial artists associated with FA, offer participants an intimate and in-depth insight into the approach, methodologies and practices they have engaged within this field, to offer strategies for naming and evidencing ecocide.

A reflective interspecies writing intensive with queer black troublemaker, Alexis Pauline Gumbs. Participants will experience a set of writing activities based on Alexis’s research into the survival techniques of underwater mammals, documented in her recent book, Undrowned: Black Feminist Lessons from Marine Mammals.

Shifa, from the Arabic word for healing, is a new trio (Pat Thomas, Rachel Musson and Mark Sanders) born out of old musical partnerships from the ever shifting sands of the UK improvised music scene.

Elaine Mitchener is an experimental vocalist, movement artist and composer, whose work encompasses improvisation, contemporary music theatre and performance art.

Follow Jason Singh through the beautiful gardens at Dartington, absorbing sound, shifting gradients, temperature and smell to inspire reflection.

An agent of the British government, Sir William Walker (Brando) is sent to the fictional 1800s Caribbean island of Queimada for a three-part mission: to trick its enslaved people into revolt, to divert the sugar trade to England, and then return its people to servitude.

Sometimes recalling an Errol Flynn swashbuckler, Burn! nevertheless refuses to shift focus from its primary story: a devastating indictment of imperialistic nations – here, 19th century Portugal and Britain; but by implication, also the United States, and the country’s contemporaneous involvement in the Vietnam war.